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Tube Mind

by Shep and Me

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  • Caethua / Shep and Me split 12" LP
    Record/Vinyl + Digital Album

    Last few copies of this 180 gram black vinyl, originally pressed in a limited edition of 500 copies. Comes packaged in an anti-static audiophile inner sleeve with double-sided insert and two color glossy cardstock outer, screen-printed front and back.

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1.
"A while ago as I sat here, Counting the cracks in the floor. Trying to blot out the future, Forget all that happened before. I heard a baby crying, And I saw a face I'd known. But the kid was dead, So the voice and head, Were crying there alone. Wailing in infinte sorrow, Sucking on it's fingertips, Till nothing was left but the marrow, And the feelbly gnawing lips. But maybe it's the wind kid, Maybe it's the wind. A devil and a bearded saint Came throught the door at me. The devil had a smoky taint And the saint a golden key. And the devil laughed and said to him "I keep all whom I take," And he bound me there To that very chair, With a ten foot rattle snake. Yeah maybe it's the wind kid. That aching hungry breeze, That busts all hell loose through the lid, With one contagious sneeze. Yeah, or could it be the woman's scream As the club comes down on her back? Or the starving hounds At the grassy mounds Where the dead fight off attack. Or the gasps for breath Where the rope brings death, And the fire turns the bodies black. Or the bad men, sad men Glad and mad men that rape and murder and sack. Where the bombs explode And the shells erode, Where the sinned against have sinned. Yeah, maybe it's the wind kid, Maybe it's the wind.
2.
Downbound 03:00
3.
Before I was sixteen, There was book that I read, And it said, On the first day of fall, That the leaves on the breeze As they fall from the trees, Are your key to no bad luck at all. But try as I may, Not one leaf came to me. And oh, how I tried Snatching leaves on the breeze. Leaves on the breeze. In this old magazine that I had, Where the pictures were bad, But the facts were all there. Said the average teen, What with staring at screens, Will have seen Their fair share of despair. But I fear that my time May have been better spent. Having sat on my ass, In the grass with my eyes closed. You can't say that's nothing.
4.
Like A Dog 03:41
I can breed, I can breed, Like a dog. But I can't starve. I can eat, I can eat, Like a hog, But I can't breathe. And I can drive, I can drive all night, In the dark. But when I stop, When I stop, stop dreaming, I'll be home. Kill the lights, Kill the lights, And keep singing The song. We've been here, we've been here, Just being So long. In the bright, In the bright, Bright kitchen, Cooking stones. Throwing lines, Throwing lines, Just fishing For a home.
5.
Masquerading mass conception, One good reason not to turn on the TV. Pick something and do it over and over again, How many times can you cook your own supper? Seems like it never quite tastes the same. How many times can you think that there's no other? Making me sick over and over again. Lie there on your feather bed, Feeling like you done no wrong, Oblivious to how ignorant ye are. How many one more chances can you blow? Seems like you're doomed from the start. How many kinds of animals have you known? Aid me with your telescopic empathy. Remain sad and socially incompetent, To die alone and out of shape, Pasty, with your dick in your hands. How many times can you walk around the block? Seems like it could a be a check off list. How many times does it say "it" on that page? A vice, to each their own.

about

"This record was my first experience with Shep and Me, the duo of Matthew Himes and H. Caleb Gamble, and I had little idea of what to expect. When I saw the first song was titled "A Poem by Jim Thompson" and was adapted from South of Heaven, I was already hooked. A high-pitched, idiosyncratic drawl leaps from the grooves with subtle backing from a purring waveform oscillator and guitar jangling halfway between hangdog and jaunty. Of course, the lyrics are great as Thompson's a fantastic writer but Himes and Gamble do a great job bringing life to the words.

After the mournful ballad, a pick-me-up is in store. Fitting the bill nicely is "Downbound" a sprightly instrumental (unless you count infectious whistling as vocals) featuring dual acoustic guitars (one nylon, one steel) and thumping percussion. Speaking of whistling, "Leaves on the Breeze" features a couple of charming whistle solos. "Breeze" is a really well-written song, very classic but not without a certain complexity and oddness to it. That statement is really true of Shep and Me's side as a whole--the duo's music is prototypical yet unmistakable. "Like a Dog" matches the Caethua side with tapes of barking dogs embedded deep in the song's canvas. It's a lonesome song and couched perfectly in the dog's incessant barking and desperate need for attention.

The final track, "Over and Over," introduces a muted rhythm generator and distorted lap steel, shifting the dynamic a little more toward the primal and agitated. The blurry, buzzing lap steel feels really wonderful after a relatively quiet and tastefully unadorned record, both sides included. All in all, "Tube-Mind" is a particularly great and eccentric side of minor chord ballads." - Auxilary Out bit.ly/3yD3i3i

credits

released July 29, 2011

Matthew Himes - nylon string guitar, lap steel, tapes, waveform oscillator, percussion, vocals

H. Caleb Gamble - steel string guitar, french horn, waveform oscillator, percussion, vocals


All music written and performed by Shep and Me.


Recorded to 1/2" 8 track tape by Ryan Fontaine at Medusa
Minneapolis, MN May 9th 2008
Mixed May 12th by R.F.

Originally self-released on cassette 2009.
Re-recorded and released on vinyl by Lighten Up Sounds

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Shep and Me Minneapolis, Minnesota

Experimental / psychedelic folk music project of Matthew Himes, active 2001-2011.

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